![]() The list of CNC devices is growing, as contemporary printmakers use embroidery machines, engraving machines, pencil plotters, vinyl cutters, and cutting plotters (among others) to create matrices and prints. See also Monotype.Ī Computer Numeric Control device used in manufacturing and printmaking in which a digital fi le is sent to a computercontrolled cutting device such as a CNC router, laser cutter, or water jet used for the production of matrices for lithography, intaglio, and relief printmaking, or other non-art-related items. Pigment from the clay substrate is lifted and embedded into the surface of the paper, resulting in a unique archival print. The print is made by placing dampened paper or another support on the clay, then rolling the back of the paper/support with a brayer or roller. See also Wood engraving, Xylography.Ī monotype technique made with a leather-hard, flat, clay plate and painted with kaolin (white clay) into which some form of pure pigment has been added. When printed on top of each other, the hatched areas suggest a wide range of tints and colors. The blocks are often intricately carved to resemble hatching. The process, often used for color book illustration, employs separate blocks for printing primary colors that are layered or combined to create other colors. The dampened tissue is placed on the inked plate, lightly treated with paste on its back, and adhered to the heavier sheet with one pass through the press.Ī late 19th and early 20th century color printing technique using wood engraving and woodcut plates. See also Reduction Print.Īn image printed on thin pieces of (often colored) delicate paper designed to embellish part of a larger print, or which underlies an entire print. In the modern era, the look of a chiaroscuro woodcut can be achieved with a reductive technique using one block. Italian chiaroscuro prints from that period used only tonal blocks, allowing the fi nished piece to resemble a wash drawing. The technique originated in Germany around 1500. Also known as a graver.Ī commercial brand of water-soluble pencils, crayons, pastels, and other drawing tools.Ī multi-block technique used to achieve gradual shifts in tone from light to dark traditionally, a black key block that describes the complete image using thin black lines is printed over the tonal block(s). Also known as BAT.Īn engraving tool with different-shaped tips, used for both wood and metal plates. The print a master printer uses as an exemplar for printing an edition. To achieve a bleed print, the printer must print a larger image than the paper, after which the printed deckle is preserved or the paper is cut to size. Modern barens can be made with plastics, ball bearings, and other materials.Ī printed image that extends to the edges of the sheet. Traditionally made with an ategawa (circular stiff backing piece), a shin (coiled pad of twisted fiber), and a barengawa (cover) made from a takenokawa (bamboo sheath) that is tightly twisted and tied around the back. See previous entry.Ī round, hand-held pad used to burnish or apply pressure to the back of relief prints. Often combined with other intaglio methods such as etching and drypoint.Īn image created exclusively by the aquatint technique. The technique creates an even tooth (texture) on the surface of the plate that catches the ink, allowing the artist to produce a controlled range of tonal areas in the image from dark to light. With watercolor and gouache or water-soluble crayon for a monotype.Īn intaglio process in which rosin powder is evenly sifted over and etched into a copper plate using a stop-out varnish in various places to protect the plate during successive acid baths. Also known as the oneplate method.Īn image painted on a plate with acrylic paint and a gel medium base, or formulated to be slow drying, then transferred to paper with (often hand) pressure. The technique allows the artist to use multiple colors with one run of the plate through the press. This glossary is from the California Society of Printmakers’ Centennial Book.Īn intaglio method in which cotton dabbers or felt pads are used to hand-apply several different colors to a single plate.
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